I Dig It

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Jennifer Bartlett’s DERIVATIVE OF THE MOVING IMAGE

Jennifer Bartlett’s first book, with its most compelling title, DERIVATIVE OF THE MOVING IMAGE, is somehow not what I imagined it would be. I mean, there is shadow play and fondling of the slippery parts of relationships, but how can a first book reveal the mastery found within? I am envious and happy to have made this tome’s “moving” acquaintance. You would do well to spend a winter night curled around it too. Here’s one and a third to get you started:
 

JOHN, ONCE AGAIN I FALL INTO THE REALM OF UTTER PERIL

The body has its own form of chaos, a solar system
through which it moves. When you touch me you
become a smaller part of this balance and it is
unclear whether it is skin or the idea of skin you are
reaching for. When I shake I can feel your temptation
to wound me, to tack me down like a saved, dead
insect. If my spine were not a question mark. If my
hands were not flutters.

~~~

FROM A PARIS HOTEL ROOM

It was the spring after my sister died that I began to notice
the moths. They would follow me from room to room beating
against the window shades or showing themselves in the one
tiny patch of light as I dressed for the day. Some days, some
hours, I would count as many as twenty and still they held no
significance for me. I saw them as many see the trees that line
the highway, just passing objects.

… [con’t]

–From DERIVATIVE OF THE MOVING IMAGE by Jennifer Bartlett

If you thirst for the rest, you’ll have to go here and do a little dance!

Enjoy!

~~~

  1. Jennifer Bartlett Says:
    February 26th, 2008 at 10:47 pm eAmy,

    Thanks. What a great surprise! I feel like the queen of England!

Books Celebration Poetry Reviews

AMY KING View All →

Amy King is the recipient of the 2015 Winner of the Women’s National Book Association (WNBA) Award. Her latest collection, The Missing Museum, is a winner of the 2015 Tarpaulin Sky Book Prize. She serves on the executive board of VIDA: Women in Literary Arts and is co-editing with Heidi Lynn Staples the anthology Big Energy Poets of the Anthropocene: When Ecopoets Think Climate Change. She also co-edited the anthology Bettering American Poetry 2015 and is a professor of creative writing at SUNY Nassau Community College.

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