Birthing…
I forgot about this kick-ass picture Jennifer Firestone and I posed for some year or so ago (Well, mostly she’s kick ass and daring while I ride her coattails here!). That is, I forgot until I got word of her new book, HOLIDAY. Then, I thought that celebrating this book would also be a means to showcase the above.
But don’t let the photo override Firestone’s new bliss! Eileen Myles writes,
“Jennifer Firestone’s Holiday makes big sense to me. It make me think largely about why I like anyone’s writing – and sometimes it’s as simple as this: I like its physicality. I like its jumps. Holiday is extremely private, extremely active. It’s notebooky in the best sense of the word because I feel privileged to get these fractured views of how Jennifer Firestone moves around the world. Her style at times is telegraphic (and insatiable) like Ginsberg. Let me say Gail Scott and Ginsberg. Also why do we bother reading. Why do we want to trail around in anyone’s else’s mind at all. Jennifer asks:
‘Is it worth
going down these steps
are the bottom rooms worth it?’
I say yeah. Enthusiastically yes.”
—Eileen Myles
I’d say she’s right on the money, and here’s a poem to further tempt you to it:
OR
Away it is creeping to find out what to do
It tunnels to a home that burns at the tip
Art barely gave
Sand was vast
All vacations fused
Red flags disappeared
There was wheat and fog
–Jennifer Firestone, HOLIDAY
AMY KING View All →
Amy King is the recipient of the 2015 Winner of the Women’s National Book Association (WNBA) Award. Her latest collection, The Missing Museum, is a winner of the 2015 Tarpaulin Sky Book Prize. She co-edited with Heidi Lynn Staples the anthology Big Energy Poets of the Anthropocene: When Ecopoets Think Climate Change. She also co-edits the anthology series, Bettering American Poetry, and is a professor of creative writing at SUNY Nassau Community College.