NOW THAT’S WAC!


TANTALIZING EXCERPTS…


But if your contents, and the subject matter and styles they cover, feel lopsided or homogenous, they likely are.  And that’s not to say that writers can’t write beyond or outside of their seeming outward identities, but let’s not cling too closely to the idea that we should only hire sighted and hearing actors…CON’T HERE.


Is raising a human not of *the* utmost import?  Don’t the effects of nurturing and educating people ripple throughout society?  How did we come to value stories of conquering over stories of nurturing? …CON’T HERE.


Far too often, Plath is victimized as the unhinged genius/woman scorned in that “coldest London winter on record,” while her extremely rigorous, ambitious, Thesaurus-wielding poet-self is underplayed.  To boot, Sexton wasn’t just Plath’s friend; she was a fierce poet who wrote her own poetry.  We need to ask…CON’T HERE.


I can’t tell you how many of my students have read F. Scott Fitzgerald but have never heard of the equally amazing writer Zora Neale Hurston.  And the realities they represent in their work are worlds apart.  You tell me when you open the current anthologies of American Literature…CON’T HERE.


You’ll see that count shortly on the VIDA website, not-so-incidentally (http://vidaweb.org/).  Is it because men are writing about women’s experiences, in the voices of women, with the awareness of women better than women? …CON’T HERE.


As far as language creation, word- & syntax-tweaking is concerned, a lot of poets, “experimental” and otherwise, do this already – see books like Feminaissance and Infinite Difference for such women poets – and there’s no reason why every stripe of poet couldn’t mess around with their own conceptions of how a poem or a sentence should look and sound like and what meaning(s) it points to…CON’T HERE.


As far as language creation, word- & syntax-tweaking is concerned, a lot of poets, “experimental” and otherwise, do this already – see books like Feminaissance and Infinite Difference for such women poets – and there’s no reason why every stripe of poet couldn’t mess around with their own conceptions of how a poem or a sentence should look and sound like and what meaning(s) it points to; at the very least they’ll have some fun…CON’T HERE.


How long will we have to qualify these men as special instead of simply as fathers?  The notion of a father who has never changed a diaper used to be bragging territory, but now it has become a flag of embarrassment…CON’T HERE.

~~~~~

WAC? THANKS, GENE KWAK!


~~~~~~~~~~~~~~

POETS ACT ON SPILL: ARTICLE IN POETS AND WRITERS


Internet Interview Literature Poetics Poetry

AMY KING View All →

Amy King is the recipient of the 2015 Winner of the Women’s National Book Association (WNBA) Award. Her latest collection, The Missing Museum, is a winner of the 2015 Tarpaulin Sky Book Prize. She serves on the executive board of VIDA: Women in Literary Arts and is co-editing with Heidi Lynn Staples the anthology Big Energy Poets of the Anthropocene: When Ecopoets Think Climate Change. She also co-edited the anthology Bettering American Poetry 2015 and is a professor of creative writing at SUNY Nassau Community College.

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