PERLOFF’S RESPONSES CAN BE FOUND @ THE RUMPUS, “BEAUTY AND THE BEASTLY PO-BIZ, PART 2” OR: PART 1 OF “BEAUTY AND THE BEASTLY PO-BIZ” @ THE RUMPUS MAY BE ACCESSED HERE. AMY KING SAYS: July 27th, 2013 at 3:31 pm Hi Marjorie, While yours is an impressive oeuvre, my blog post is not framed as a review…
Authors on Artists: Amy King on Leonor Fini, Leonora Carrington, and Frida Kahlo Paint Is the Abyss’ Law, Living the Accent: Marginalia on Absorption Paint Is the Secretion of Scene on Leonor Fini’s Set I now confer status on you. As in, everything is as good as the next thing. Better yet, in this season,…
From “Leonora Carrington: A Retrospective Exhibition” (1975) – excerpts from Introduction by Edward James: “Leonora’s work is no pastiche of the 16th century. Its similarity is rather due to the fact that Leonora Carrington was endowed from birth with the versatility of a Renaissance man [Women’s Lib having not yet reared its head]. The fact…
With that in mind, I will be posting shorts a la Facebook posts. Little posts, little notes. Leonora Carrington died last year at 94. She was NOT a Surrealist. She associated with the group and was with Max Ernst for two years. The thinking person who does some research will discover that she was critical…
“That’s what inspires me — people still at work, and dreaming.” READ MORE AT VIDA: WOMEN IN LITERARY ARTS (CLICK HERE)
Watch the Kathleen Hanna clip. Read the manifesto. I can’t help it. I keep saying I won’t write this post. It’s not worth it, I’ll appear rude, my knowledge is limited, etc. But I’ve decided to put it out there, after a cursory read and setting the book aside in annoyance. The Gurlesque anthology, GURLESQUE:…
“Amy King” Doll So I commissioned a woman artist, Beth Robinson, to make dolls of Ana and me to christen our new home. Robinson’s work has begun to be featured in galleries and written about in art publications. Not sure the photos do them justice — in person, they just rock. If you’re…
AMY KING 