“Charles Wright ends one of his poems on a line that goes something like “. . . and God knees our necks to the ground.” Not that God figures conspicuously – or even copiously – into Elliott Smith’s songs; the knees keeping Smith’s ear to the ground were always addiction and depression.
Still, there’s a ferocity churning just under the lilting surfaces of his music that’s both bodily and spiritual. Smith’s songs speak almost always through the urgency of nothing more than a whisper, as if had he raised his voice any higher the songs would tremble apart in their playing.”
Get there now. Before it’s too late. And enjoy a song and a poem or two.
Amy King is the recipient of the 2015 Winner of the Women’s National Book Association (WNBA) Award. Her latest collection, The Missing Museum, is a winner of the 2015 Tarpaulin Sky Book Prize. She co-edited with Heidi Lynn Staples the anthology Big Energy Poets of the Anthropocene: When Ecopoets Think Climate Change. She also co-edits the anthology series, Bettering American Poetry, and is a professor of creative writing at SUNY Nassau Community College.