The Bridge - Brooklyn Poets

Amy King’s workshops and critiques are as intelligent and intuitive as she is. She’s introduced me to conceptual ideas that seem at first complex and perhaps over my head—but the way she breaks them down and incorporates them step by step into fun and challenging exercises makes them so accessible that I find myself pondering and using them in my own poetics again and again. I’ve worked with her several times, and I highly recommend Amy’s teaching style—learned yet lucid, erudite yet playful. She’s a joy!

—Jenn Givhan, 2015 Winner NEA in Poetry


What’s amazing about Amy is, unlike so many other great poets, she’s also a great teacher, a true facilitator of other people’s visions. Amy has a range of techniques to guide you through the entire arc of the creative process from the first germ of inspiration to your final edit, but the support Amy offers doesn’t just confirm what you’re already doing. She will shake you up, jolt you out of your comfort zone and challenge you to confront the personal limits you’re stumbling over in your writing. Her prompts will immerse you – literally, with all kinds of media – in new ways of seeing, thinking and making connections, and her responses to your work will help you re-frame how you think about your writing. I always feel that Amy holds my work to as high a standard as she holds her own, yet her critiques reflect her sense of what I’m trying to accomplish; she’s sensitive and generous in that way. I don’t think teaching is just a day job to Amy. She brings the same ethic and commitment, the same way of connecting she explores in her poetry to her work with her students.

—Justine el-Khazen, Brooklyn-based poet & creative writing instructor at Eugene Lang


I have collaborated with Amy King on several publishing projects — the magazine Esque, and the PEN Poetry Series — and we’ve also taught together at Naropa University, The San Francisco Poetry Center and Slippery Rock University. Amy has taught me so much about teaching poetry and fostering fruitful, kinetic student interaction. At Naropa, we lead a workshop on “The Trans Cyborg;” from Fernando Pessoa to Tamiko Beyer and Nicki Minaj, Amy activated the group with generative readings and viewings, and insightfully helped along students’ work with critique and exercises like “Write your own personal mythology” and “Interlace fingers / interlace lines into a hybrid poem.” Co-teaching this class was a lesson to me as well on how poetry can pass between poet-teacher and poet-student, and how empathetic, radical, disciplined engagement leads to breakthroughs in poems and poetics. As a teacher, Amy accepts nothing less. Amy was also an essential reader and editor for both of my books of poetry, and a valued poetry journal co-editor who confidently made micro and macro editorial and curatorial decisions to the benefit of every poem she was entrusted with. I recommend her as a teacher and editor without hesitation — you are lucky to have a chance to travel a while with her.

—Ana Božičević, author of Stars of the Night Commute and the Lambda Literary Award-winning Rise in the Fall


Whether you are writing about the intricacies of daily interactions or incorporating broad topics from science to philosophy to politics, Amy King’s got you covered! She writes from the street but not from a blank slate – in fact, from a broad intellectual background. Her prompts are rich in detail and suggestibility. She provides extensive supporting material and recommends a cornucopia of relevant poetry to inspire you. Her feedback is direct, insightful, and incisive but does not foreclose your options for finding your own route to improvement.

She inspired me to write my first prose poem!

—Mary Newell, Ph. D.


In 35 years of teaching Creative Writing and literature courses at the University of South Alabama and having served as Alabama’s Poet Laureate from 2003 -2012, I have never know anyone who gives a more thorough and helpful critique than Amy King. She is an outstanding poet who uses her experience to offer insightful comments and suggestions thatare encouraging and yet honest when it comes to rewrites. I have taken a couple of Amy’s courses just to have her astute feedback. It is a privilege to be in a class of Amy’s, take part in challenging and exciting exercises. and learn new ways to look at writing poetry.

—Sue Walker, Publisher Negative Capability Press
Retired Professor of English, University of South Alabama,
Poet Laureate of Alabama 2003-2012



The Bridge was born out of a belief that we need a better community for poets. From the beginning, our mission at Brooklyn Poets has been not just to build community at home but everywhere, and for that we felt we needed something that did not yet exist: a poetry network where student and mentor poets could connect.

We see two main groups of poets in need. One, students looking for mentors to critique their work, but without the time or money to invest in a workshop or writing program. Two, poets with publishing and teaching credentials struggling to find—or keep—teaching jobs.

Our hope is that the Bridge connects these two groups. Simple as that.

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AMY KING View All →

Amy King is the recipient of the 2015 Winner of the Women’s National Book Association (WNBA) Award. Her latest collection, The Missing Museum, is a winner of the 2015 Tarpaulin Sky Book Prize. She co-edited with Heidi Lynn Staples the anthology Big Energy Poets of the Anthropocene: When Ecopoets Think Climate Change. She also co-edits the anthology series, Bettering American Poetry, and is a professor of creative writing at SUNY Nassau Community College.

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