Tag: Poetry

PRESS

PRESS Breaking the Ice With Pints and Poetry @Wall Street Journal The first hour involved cocktails at the Housing Works Bookstore and Café in SoHo. Then there were readings by Colson Whitehead (“Sag Harbor”), Emily St. John Mandel (“The Singers Gun”) and poet Amy King, who runs a popular poetry group on Goodreads. ~~~~~~~~~~~~~~~~~~~ 20…

Read more PRESS

BOOK OF THE WEEK AT BROOKLYN POETS

Amy King’s workshops and critiques are as intelligent and intuitive as she is. She’s introduced me to conceptual ideas that seem at first complex and perhaps over my head—but the way she breaks them down and incorporates them step by step into fun and challenging exercises makes them so accessible that I find myself pondering and using them in my own poetics again and again. I’ve worked with her several times, and I highly recommend Amy’s teaching style—learned yet lucid, erudite yet playful. She’s a joy!

—Jenn Givhan, 2015 Winner NEA in Poetry

Read more BOOK OF THE WEEK AT BROOKLYN POETS

Actual Asian Poets @ LitHub

Adam Fitzgerald curated a substantial portfolio at LitHub. From his introduction: This portfolio cannot and should not be seen as a codification nor totalizing index of Asian or Asian-American poetry. Indeed, there are many incredible writers not mentioned below (Tan Lin and Srikanth Reddy are just two examples). Yet the chance to foreground just some of…

Read more Actual Asian Poets @ LitHub

Reclaiming Eve, Lilith, Medusa & Kali: Poetry as Pandoric Praxis

ONE-DAY RETREAT IN THE CATSKILLS – AMY KING & MELISSA STUDDARD! Reclaiming Eve, Lilith, Medusa & Kali: Poetry as Pandoric Praxis DATE: AUGUST 8, 2015 The feminine encounter with beauty, love and self-sacrifice is typically depicted in a positive, nearly angelic light. However the feminine encounter with self-knowledge has often been depicted as a negative event,…

Read more Reclaiming Eve, Lilith, Medusa & Kali: Poetry as Pandoric Praxis

THE MISSING MUSEUM – Co-winner of the 2015 Tarpaulin Sky Book Prize

AMY KING – THE MISSING MUSEUM Co-winner of the 2015 Tarpaulin Sky Book Prize AUTHOR STATEMENT Nothing that is complicated may ever be simplified, but rather catalogued, cherished, exposed. The Missing Museum spans art, physics & the spiritual, including poems that converse with the sublime and ethereal. They act through ekphrasis, apostrophe & alchemical conjuring.…

Read more THE MISSING MUSEUM – Co-winner of the 2015 Tarpaulin Sky Book Prize

THREAT LEVEL: POETRY

@ BOSTON REVIEW  EXCERPTS (selected by readers / in random order): Poetry is dead by capitalism’s standards—it is not an obvious moneymaking venture, despite traceable employment and readings’ payoffs via the academy—and that emboldens some folks limited by capitalist blinders to herald poetry’s last breath. If Conceptual poets can sensationally spin this mythology and position themselves…

Read more THREAT LEVEL: POETRY

FROM POETRY MAGAZINE – Whacked Out: A Case for the Advocacy of the Unlisted

Whacked Out: A Case for the Advocacy of the Unlisted EXCERPTS: I met the place where art and life converge and began to feel—not just intellectually consider—the potential burn poetry could bring to a person’s entirety, psyche included. This “foreign” poetry was about living, conceiving, and feeling in invigorating and consciousness-inducing ways with words that…

Read more FROM POETRY MAGAZINE – Whacked Out: A Case for the Advocacy of the Unlisted

MY REPLY TO MARJORIE PERLOFF

PERLOFF’S RESPONSES CAN BE FOUND @ THE RUMPUS, “BEAUTY AND THE BEASTLY PO-BIZ, PART 2” OR: PART 1 OF “BEAUTY AND THE BEASTLY PO-BIZ” @ THE RUMPUS MAY BE ACCESSED HERE. AMY KING SAYS: July 27th, 2013 at 3:31 pm Hi Marjorie, While yours is an impressive oeuvre, my blog post is not framed as a review…

Read more MY REPLY TO MARJORIE PERLOFF

Review @ Jacket Magazine

The gestural lyric and beyond A review of Amy King’s “I Want to Make You Safe” BARRY SCHWABSKY EXCERPT: At a time when the lyric is widely denigrated and often practiced in a defensive mode if at all, her insouciant confidence that it will serve any end is heartening. CONTINUED @ JACKET2

Read more Review @ Jacket Magazine

POET ON PAINTING?

Authors on Artists: Amy King on Leonor Fini, Leonora Carrington, and Frida Kahlo Paint Is the Abyss’ Law, Living the Accent: Marginalia on Absorption Paint Is the Secretion of Scene on Leonor Fini’s Set     I now confer status on you. As in, everything is as good as the next thing. Better yet, in this season,…

Read more POET ON PAINTING?

WILL THE REAL WALT WHITMAN PROBLEM PLEASE STAND UP? TOUCHING PERFECT BODIES WITH HIS MIND

I cannot fathom that Walt Whitman was the first to write on a variety of controversies typically attributed to “Song of Myself,” including the complexities of slavery, the overt hand of eroticism, and the soul beyond the confines of religion, atrocities of war, etc.   In fact, a number of writers come easily to mind who…

Read more WILL THE REAL WALT WHITMAN PROBLEM PLEASE STAND UP? TOUCHING PERFECT BODIES WITH HIS MIND

Birds & Operas – Collaboration

Poem from I Want to Make You Safe (Litmus Press, 2011) Featuring (in order of appearance): Annie Finch Saeed Jones Daniel Nester Patricia Spears Jones Cole Swensen R. Erica Doyle Cate Marvin Brent Cuningham Danielle Pafunda Jamaal May GC Waldrep Ryan Doyle May James Yeh Matt Hart E. Tracy Grinnell Brenda Iijima Molly Gaudry Sina…

Read more Birds & Operas – Collaboration

I Said Some Things…

• American Poet feature. Summer 2012, Issue 42. • Lissa Kiernan for The Rooster Moans review. June 30, 2012. • j/j hastain for The Lit Pub review. May 18, 2012. • Michael Flatt for the Center for Literary Publishing review. May 9, 2012. • Lightsey Darst for Bookslut review. May 2012. • Carol Dorf for The Mom Egg review. April 27, 2012. • The Poetry Foundation feature. April 10, 2012. • Alan Gilbert…

Read more I Said Some Things…

“What is safe?”

Words and Music by Metta Sáma EXCERPTS: “King’s book is not quiet; hers is an aesthetics of sound fractured, fragmented, compounded, mixed, remixed, sampled, jointed, yes, even anointed. (Check out the cover of this book, it’s sparseness of image, this blaringly red background, these glaringly gray figures, mouths open. Caught mid-pounce (whose in danger? (you…

Read more “What is safe?”